Selected back issues of Shuttle Spindle & Dyepot Magazine

Each item is listed by Issue #, Date and Notes. Links to specific issues contain a full table of contents and graphic of cover art. All issues are $9.00 each plus shipping and handling. International orders please contact the eshop for shipping charges. Georgia residents please add 6% sales tax. To order, print this form and mail with a check or money order in US funds or credit card number with expiration date. Orders can be telephoned (678-730-0010) with MasterCard, Visa, American Express, or Discover credit card number.

Date Topics

_______ 27 Summer 76 Corn Silk, Mrs. Washington’s Gown, Spinning History, Manzanita-Dye Wood

_______ 28 Fall 1976 Norwegian Tradition, The Shaker Technique, Weavings of the Guatemalan Highland Maya, Making Ends Meet at the Loom

_______ 29 Winter 76 Kente, Dyeing in the Rockies, Technology of Basketry, Winding a Bobbin

_______ 30 Spring 77 Weaver Rose, A History of Silk, Experiment Countermarch, Harness Lace

_______ 31 Summer 77 Dhabla Weaving, French Tapestry, Linen History, Summer & Winter

_______ 37 Winter 78 Dressing a Distaff, Yurt, Nature’s Colors, Blankets of New Mexico

_______ 38 Spring 1979 Spinning with a Bead Whorl Spindle, Warp Faced Patterning, Dyeing and Spinning Cotton Lint, Yarn Storage Trees

_______ 41 Winter 79 Drafting with Color, High Whorl Spindle, Seattle Garment Designs, Shaping with Warp

_______ 42 Spring 80 Designing Block Weaves, Exercises in Design, Miniature Garments, Wadmal

_______ 45 Winter 80 Ideal Spinning Wheel, Weaving on a Diamond Grid, Culture & Costume in Edo, Japan

_______ 47 Summer 81 Name Draft, Novelty Yarns, Bead Leno

_______ 48 Fall 81 Warp Ikat, Color and Weave, Wool for Handspinning

_______ 50 Spring 82 Color and Weave or Rosepath, Color Draw Up, Drafting

_______ 51 Summer 82 Rya Rugs, Weft Faced Garments of Peru, Mineral Dyes

_______ 52 Fall 82 Aubusson Tapestry, Wickerwork Basket, Salish Weaving, Rya, Mineral Dyes

_______ 55 Summer 83 Twining, Hammocks, Papermaking

_______ 58 Spring 1984 Weaving & Felting, Temple Tapesty, Acid Dyeing, Color, 3-Color, Weft-Faced Block Weave, Tabby Color

_______ 59 Summer 84 Knotting Stitches, Basketry, Felted Fabric, Tuck Tactics

_______ 63 Summer 85 Kente, Color Baskets, Weft Twined Weaving

_______ 65 Winter 85 Transparent Textiles, Warp Woven Pile

_______ 66 Spring 1986 Basketry Traditions of Nova Scotia, Color Magic from Lichen Dyebaths, Dawn MacNutt: Sculptural Weaver

_______ 68 Fall 1986 Theo Moorman, Handspun into Lace, Basketmakers of Nova Scotia, Creative Weave Drafting, Scandinavian Style

_______ 69 Winter 86 Nantucket Lightship Basket, Guizhou Textiles, California Rags

_______ 70 Spring 1987 Coiled Hexagonal Plaiting, An Andes Tradition, Shawls without Seams, Sulted to Silk, Paper Palettes

_______ 71 Summer 87 Ribbed Piqué, Weaving of Tibet, Freeform Felt

_______ 72 Fall 87 Twining, Jacquard, Monks Belt, Supplementary Warp

_______ 73 Winter 87-88 Crackle Weave, Inlay, Shaker Baskets

_______ 74 Spring 1988 Dorothy Barnes' Fantasy Baskets, Weaving Jewish Traditions, The New Ripsmatta, Needlepoint Lace

_______ 75 Summer 88 Cardwoven Doubleweave Mattor Pickup, Papermaking

_______ 76 Fall 88 Tips for Linens, John McGuire’s Wearable Baskets, Akwete Weaving

_______ 77 Winter 88-89 Random Warp, Cotton Spinning, Color Harmonies

_______ 78 Spring 89 Drink Mix Dyes, Complementary Weft, Royal Restorations

_______ 79 Summer 89 Log Cabin Rugs, Heirloom Wedding Dress, Eight-Shaft Adventures

_______ 80 Fall 89 Backstrap Weavers of Mexico, Sheep-to-Shawl, Holiday Table Ensemble

_______ 82 Spring 90 Taming a Long Warp, Scarf, Friendship Coverlet, Handwoven Greeting Cards

_______ 83 Summer 90 Ribbed Piqué, Doubleweave, Warp-faced Blocks, Canvas Weave

_______ 84 Fall 90 Felt Coats, Opera Cape, Passion for Color

_______ 85 Winter 90-91 Silk Scarves, Beads, Shadow Weave

_______ 87 Summer 91 Boundweave, Lichen Dyes, The 16s

_______ 89 Winter 91-92 Drink Mix Dyes, Diagonals, Surface Weaves

_______ 90 Spring 92 Contemporary Navajo Textiles, Romona Sakiestewa, Micmac Basketmakers, Hopi Brocade Weave

_______ 92 Fall 92 Turned Ms & Os, Cherokee Basketry, Origins of Spinning & Weaving

_______ 94 Spring 93 Weaving for a Picnic, Flax and Ramie, Sweater that Shines, Angora Goats

_______ 95 Summer 93 Pam Patrie, Color or Weave Effects, Overshot, Spinning, Plying with Dental Floss

_______ 96 Fall 93 Small Expressions, Ann Sutton, Chilkat Blankets, Handspun Angora, Mohair

_______ 97 Winter 93-94 Coverlet Weaving, Twill Sampler, How to Organize Guild Programs

_______ 98 Spring 94 Textiles of Latvia and Estonia, Kasuri Dyeing/Weaving, Novelty Dyeing

_______ 99 Summer 94 Handkerchief, Network Drafting, Distorted Wefts

_______ 100 Fall 94 Handspun, Spindle Whorls, Dyers of Delphi, Drop Spindle

_______ 101 Winter 94-95 Spinning Cotton, Raw Silk, Bead Explosion, Network Drafting

_______ 102 Spring 95 Contemporary Weaving, Tencel, Wild Silks

_______ 105 Winter 95-96 Digital Weaving, Tatting, Shadow & Light, Kenaf Spinning

_______ 106 Spring 1996 Natacha Wolters-Queen of Beads, Keeping Spinning in the Ivory Coast, Tablet Weaving, Spinning, Weaving & Dyeing in Rural Crete

_______ 108 Fall 96 Taipeis Gael, Convergence 96, British Tapestry

_______ 109 Winter 96-97 Bauhaus, Margaret Roach Wheeler, Victor Jacoby, Russian Old Believers, LX

_______ 110 Spring 97 Navajo Textiles, Mary Frances Davidson, Kashmir Shawls, The Teaching Circuit: Part I

_______ 112 Fall 97 Elizabeth Wayland Barber, The Carolina Flax Project, The Teaching Circuit: Part III

_______ 113 Winter 97-98 Maru Dai, Alpaca, Warp-Faced Rep, Flax, The Teaching Circuit: Part IV

_______ 114 Spring 98 Understanding Copyright, Leon Niehues, Helena Hernmarck, Treasured Buttons

_______ 116 Fall 98 Convergence 98 exhibits, C.A. Michel, Chiyoko Tanaka, TLC

_______ 117 Winter 98/99 Lewis Knauss, Lyn Sterling Montagne, Double Weave, Spinning Fiber Blends

_______ 119 Summer 99 Kenneth Trapp, Silvia Heyden, Larsen Archive, Kids Fiber Fun Camp, LX#25

_______ 120 Fall 99 Convergence 2000 featured speakers, Peter Collingwood, HGA at Thirty, Ann Hall-Richards, Patagonian Textiles

_______ 121 Winter 99-00 Woven Shibori, Weaving the Convergence 2000 Logo, Pirkko Karvonen, Jane Evans

_______ 122 Spring 00 Cheryl Samuel, COE Handbooks Revision, Wrapped in Pride, The Catherine Marshall Gardiner Basket Collection

_______ 123 Summer 2000 Jung Sook Lee, Korean Fiber Artist, Feltmaking, Weft-Faced Rug Weaving, Beach Weaving

_______ 125 Winter 2000/2001 Ai-shi, Japan’s Indigo Masters, Judy Mulford, The Carnegie Fabrics Exhibit, On the Weaverbird Trail

_______ 126 Spring 2001 Chad Alice Hagen, Young Ja Choi, Paiute Basketry, Tassels through Time, Utilitarian, Decorative Ceremonial Blankets

_______ 127 Summer 2001 Keeping a Dyeing Tradition Alive, Japanese Fishermen’s Coats Exhibit, LX#29, Kids Fiber Fun Camp

_______ 128 Fall 2001 Convergence 2002 Vancouver Featured Speakers, Jewelry of Arline Fisch, Dobag and the Revival of Turkish Rug Weaving

_______ 129 Winter 01/02 Basketmaker Marilyn Moore, Joanne Soroka’s Tapestries, 10th Annual Triennial, Weaving in Nagaland, LX#30

_______ 130 Spring 2002 Technology as Catalyst, Vancouver’s Museum of Anthropology, Embroidery from India, Cedar Bark Hats, Inger Anne Utvåg

_______ 131 Summer 2002 Jan Hopkins, Barbara Heller, Kids Fiber Fun Camp, LX#31

_______ 132 Fall 2002 Ikat Rebozos of Central Mexico, Tsunami: Yardage Exhibit, Shopping on the Web, Susan Iverson Talks About Her Works

_______ 133 Winter 2002/2003 Phosphorescence: HGA's Convergence 2002 Exhibit, European Textile Museums, COE-Dyeing Examination, Learning Exchange 32

_______ 134 Spring 2003 Cross Currents: Convergence 2002 Basketry Exhibit, Tapestry in Hungary, HGA 2002 Award Recipients, Marketing and the Fiber Artist, The Kilbarchan Project, Special Supplement: Generations/Transformations: American Fiber Art at the American Textile History Museum

_______ 136 Fall 2003 Convergence 2004 Denver Featured Speakers, Sculptural Baskets of Lindsay K. Rais, Chunghie Lee3: Ambassador of Korean Pojagi, Color/Colour/Color—Forecasting Trends, Convergence 2004 Denver Registration Book

_______ 138 Spring 2004 Cloth Tells a Story, The Inspired Vessel, Tapestry - Yesterday and Today, Laheria, James Koehler

_______ 141 Winter 2004/2005 SOFA Chicago, Lia Cook, Mountain Majesty C04 Exhibit, From Fleece to Fiber: A Tale of Three Fiber Processors, Right From the Start: Plan a Project, Out of the Stash LX, Weaving a Lord of the Rings Fellowship Cloak LX, Balanced Plain Weave LX, Fiber Identification through Various Tests LX

_______ 142 Spring 2005 HGA Award Recipients, Right From the Start: Design Fabrics Using Versatile Twills, Queen of the Plains C04 Exhibit, The New Sculpture, Laura Foster Nicholson, The Creative Journey: Listening to Your Intuition, Felt History

_______ 143 Summer 2005 2005 Discovered in the Dance: The Work of Ferne Jacobs, Right From the Start: Weave Weft-faced, Warp-faced, and Uneven Fabrics, Artwear: A Brief History, HGA/Interweave Press Teach-It-Forward 2004 Grant Recipient, Contemporary Feltmakers, Twills LX, Spinning Silk for Embroidery LX, Thick �n Thin LX, Orange Spinning Challenge LX, Tapestry Crochet a Cell Phone Pouch, Kids Fiber Fun Camp, Bead Buddies, Flip Flop Fun

_______ 145 Winter 2005/2006 Grant Recipients for 2005, Right From the Start: Compare Summer-and-Winter and Overshot, Maine Fiberarts, The Kaunas Art Biennial: TEXTILE 05, Matisse and His Textile Library, Merino: A Golden Fleece LX, Advancing Twills LX, Shetland Sheep LX, Loom-Controlled Stitched Double Cloth LX

_______ 146 Spring 2006 HGA Award Recipients for 2005, Meyer May House, Right From the Start: Keep Personal Fiber Inventories, Urban Jupena: Living the Artist�s Life, Intertwined: Contemporary Baskets from the Lieberman Collection, In Search of Mud: Bogolanfini, Bethany Barry, Harpies, Mermaids and Tulips: Embroidery of the Greek Islands and Epirus Region, Junco Sato Pollack, Susan Lenart Kazmer

_______ 147 Summer 2006 Miao Textiles from the Collection of Susan Weitzman Conway, Right From the Start: Incorporate Conference Attendance into Your Learning Process, The Textile Museum�s Thesaurus, A Journey of the Imagination, Line, Space and Form: Art of Kay Sekimachi, Takako Ueki and Habu, Block Twill LX, Flax LX, Monk�s Belt LX, Paper Thread LX; Kids Fiber Fun Camp, Having Fun with Needle, Thread, and Mesh Bags, Needle Weaving on a Frame Loom

_______ 148 Fall 2006 HGA and Dendel Scholarship Recipients for 2006, Right From the Start: Understand Weave Structure, D. James Dee: Translating the Artist�s Intentions, Back to the Floor Exhibition, HGA�s Small Expressions 2006, Design and Color Trends for 2007, Convergence 2006, HGA Thanks Its Convergence Volunteers, Make a Grand Entrance Wearable Art Fashion Show, Life in the Creative Stream

_______ 149 Winter 2006/2007 Great Lengths: Yardage Exhibit, Right From the Start: Use Treadling Methods to Extend Your Options on Four Shafts, Cut and Sew with Confidence, John Garrett: Process, Materials and Vision, Dyeing without a Dyepot: Disperse Dyes, Nancy Moore Bess: Artist, Author, Artisan, Tablet Weaving: The Vacant Hole Technique LX, Spinning Variegated Fibers LX, Weaving Huck LX, Spinning Wool from Wensleydale Sheep LX

_______ 150 Spring 2006 HGA Award Recipients for 2006, Right From the Start: Plan Your Warp, The Colors of Nature, The Montreal Centre for Contemporary Textiles and Louise Lemieux-Berube, Craft in America, Sewing Handwoven Fabric with Confidence, Leki and Rinzin Wangmo: Weavers of Bhutan, Creative Grand Crossings: Multimedia Interlacements Exhibit

_________ 151 Summer 2007 Right From the Start-Keep Your Loom in Top Shape with the Appropriate Number of Heddles, Berta Frey's Dress, WeaveCast: A Podcast for Handweavers, Hems for Handwovens, Kyung Ae Cho, Marcel Marois: Meditations, Kids Fiber Fun Camp, Woven Ribbons, Summer Fun with Embellished Ribbons Memo Board, Alpacas LX, Fanciful Figures LX, Reading Manuscripts LX, Bamboo Mania LX

_________ 152 Fall 2007 HGA and Dendel Scholarship Recipients for 2007, Right from the Start-Assess Your Progress, HGA's Small Expressions 2007, At Home with Crafts, Featured Speakers for Convergence 2008, Joan Morris: A Journey with Shibori, Victoria Z. Rivers: Beyond the Shining Cloth, Weaving a World Back Together: Willa Shalit and the Path to Peace, Unfurled: Expressive Cloth Exhibition, Buttonholes, Kiyomi Iwata, Private Pleasures: Collecting Contemporary Textile Art

_________ 153 Winter 2007/2008 Right from the Start: Sley Your Reed According to Your Sett, Braid Embellishment for Clothing, Pricked: Extreme Embroidery, Barbara Layne: Concordia's Creative Collaborator, Weave with Bamboo (LX), Spinning Worsted without Combs (LX), An Introduction to Triaxial Weave (LX), Spinning Mohair (LX)

_________ 154 Spring 2008 Quilt Study Center & Museum, Textiles & Baseball, Right From the Start: What Can I Make with Just One? HGA Awards, Behind the Seams: Facings & Interfacings, BLUE, Laura Militzer Bryant and Prism Yarns, Polly Adams Sutton, High Touch and High Tech

_________ 155 Summer 2008 Waves of Creativity, Behind the Seams: Underlinings and Linings for Handwovens, Right From the Start: Learn Fabric Analysis, Bhakti Ziek, Under-Dyeing and Over-Dyeing with Indigo Tinctoria: A Certificate of Excellence in Dyeing Level II, The Victorian Tapestry Workshop in Action, Kids Fiber Fun Camp, Braided Pet Accessories, Punch Needle Embroidery

_________ 156 Fall 2008 HGA and Dendel Scholarship Recipients for 2008, Right from the Start—Sources of Inspiration, HGA's Small Expressions 2008, Convergence 2008 Tampa Bay, Fiber Exhibitions by Polly Barton, Mary Anne Jordan, Eleanor McCain, and Mary Zicafoose, Timbuktu to Tibet: Rugs and Textiles of the Hajjii Babas, Dance of the Flamingos Fashion Show and Exhibit at Convergence 2008, Convergence 2008 Design Challenge, The Spinner's Challenge: Three Yarn Sizes, One Fleece, Handwovens 911: Wear and Tear Repair, Want to Teach at Convergence? Seven Deadly Sins When Creating a Proposal for Convergence

_________ 157 Winter 2008/2009 Right from the Start—Explore Plain Weave and Its Derivatives, Kimono as Art: The Landscapes of Itchiku Kubota, Ebb Tide—Yardage Exhibition at Convergence 2008 Tampa Bay, The Cotsen Contemporary American Basket Collection: A Gift to Racine Art Museum, Sewing Tips for Table Linens, Lillian Whipple: the Logo Lady, A Taquet� Project: Build a House, Put Fiber Artists on the Map, Selecting a Digital Projector

_________ 158 Spring 2009 Excursion Journal, Right from the Start—Extend Your Weaving to Upholstery Fabrics, Threads of Continuity Along the New Mexico Fiber Arts Trails, Constructed Color: Amish Quilts, HGA Award Recipients for 2008, Fashioning Felt, Salsa y Salsa—Multimedia Fiber Art Exhibition at Convergence 2008, Sewing Tips for Handwoven Pillows, Certificate of Excellence—What Is It and Why Do It?

_________ 159 Summer 2009 Right From the Start — Weaving Block Designs, Textures and Hues of the Fiber Arts Trails — Part I, The North Central Loop, Behind the Scenes: The Convergence Designers' Fashion Challenge in 2008, Reflections on a COE Journey, The Textile Museum's Recent Acquisitions Exhibition; Bead Crochet Rope Bracelet. A Family of Radially Symmetric, Ply-Split Braided Vessels, Kids Fiber Fun Camp, Potholder Loom Revisited: Projects for the 21st Century, Leno Lace on a Rigid Heddle Loom.

_________ 160 Fall 2009 Right From the Start — How to Get to Convergence 2010; Contemporary Japanese Fashion: The Mary Baskett Collection at The Textile Museum; HGA's Small Expressions; HGA and Dendel Scholarship Recipients for 2009; Textures and Hues of the Fiber Arts Trails — Part 2, The North Central Loop; Behind the Scenes: The Convergence Challenge Team: Nancy Peck and Diane Ericson; Organizing a Certificate of Excellence (COE), Level II, Study; and Small Wonders.

_________ 161 Winter 2009/2010 Right from the Start — Time Savers — or Not?, Planning Ahead? First, Look Back, Facing the Maze, The Center for Traditional Textiles of Cusco, Peru, Behind the Scenes: 2008 Designers' Challenge Team Irene Munroe and Louise Cutting, Teaching and Learning through Correspondence, Susan Lazear — Convergence 2010 Featured Speaker.

		Date	Topics
_______	27	Summer 76	Corn Silk, Mrs. Washington’s Gown, Spinning History, Manzanita-Dye Wood
_______	28	Fall 1976	Norwegian Tradition, The Shaker Technique, Weavings of the Guatemalan Highland Maya, Making Ends Meet at the Loom
_______	29	Winter 76	Kente, Dyeing in the Rockies, Technology of Basketry, Winding a Bobbin
_______	30	Spring 77	Weaver Rose, A History of Silk, Experiment Countermarch, Harness Lace
_______	31	Summer 77	Dhabla Weaving, French Tapestry, Linen History, Summer & Winter
_______	37	Winter 78	Dressing a Distaff, Yurt, Nature’s Colors, Blankets of New Mexico
_______	38	Spring 1979	Spinning with a Bead Whorl Spindle, Warp Faced Patterning, Dyeing and Spinning Cotton Lint, Yarn Storage Trees
_______	41	Winter 79	Drafting with Color, High Whorl Spindle, Seattle Garment Designs, Shaping with Warp
_______	42	Spring 80	Designing Block Weaves, Exercises in Design, Miniature Garments, Wadmal
_______	45	Winter 80	Ideal Spinning Wheel, Weaving on a Diamond Grid, Culture & Costume in Edo, Japan
_______	47	Summer 81	Name Draft, Novelty Yarns, Bead Leno
_______	48	Fall 81	Warp Ikat, Color and Weave, Wool for Handspinning
_______	50	Spring 82	Color and Weave or Rosepath, Color Draw Up, Drafting
_______	51	Summer 82	Rya Rugs, Weft Faced Garments of Peru, Mineral Dyes
_______	52	Fall 82	Aubusson Tapestry, Wickerwork Basket, Salish Weaving, Rya, Mineral Dyes
_______	55	Summer 83	Twining, Hammocks, Papermaking
_______	58	Spring 1984	Weaving & Felting, Temple Tapesty, Acid Dyeing, Color, 3-Color, Weft-Faced Block Weave, Tabby Color
_______	59	Summer 84	Knotting Stitches, Basketry, Felted Fabric, Tuck Tactics
_______	63	Summer 85	Kente, Color Baskets, Weft Twined Weaving
_______	65	Winter 85	Transparent Textiles, Warp Woven Pile
_______	66	Spring 1986	Basketry Traditions of Nova Scotia, Color Magic from Lichen Dyebaths, Dawn MacNutt: Sculptural Weaver
_______	68	Fall 1986	Theo Moorman, Handspun into Lace, Basketmakers of Nova Scotia, Creative Weave Drafting, Scandinavian Style
_______	69	Winter 86	Nantucket Lightship Basket, Guizhou Textiles, California Rags
_______	70	Spring 1987	Coiled Hexagonal Plaiting, An Andes Tradition, Shawls without Seams, Sulted to Silk, Paper Palettes
_______	71	Summer 87	Ribbed Piqué, Weaving of Tibet, Freeform Felt
_______	72	Fall 87	Twining, Jacquard, Monks Belt, Supplementary Warp
_______	73	Winter 87-88	Crackle Weave, Inlay, Shaker Baskets
_______	74	Spring 1988	Dorothy Barnes' Fantasy Baskets, Weaving Jewish Traditions, The New Ripsmatta, Needlepoint Lace
_______	75	Summer 88	Cardwoven Doubleweave Mattor Pickup, Papermaking
_______	76	Fall 88	Tips for Linens, John McGuire’s Wearable Baskets, Akwete Weaving
_______	77	Winter 88-89	Random Warp, Cotton Spinning, Color Harmonies
_______	78	Spring 89	Drink Mix Dyes, Complementary Weft, Royal Restorations
_______	79	Summer 89	Log Cabin Rugs, Heirloom Wedding Dress, Eight-Shaft Adventures
_______	80	Fall 89	Backstrap Weavers of Mexico, Sheep-to-Shawl, Holiday Table Ensemble
_______	82	Spring 90	Taming a Long Warp, Scarf, Friendship Coverlet, Handwoven Greeting Cards
_______	83	Summer 90	Ribbed Piqué, Doubleweave, Warp-faced Blocks, Canvas Weave
_______	84	Fall 90	Felt Coats, Opera Cape, Passion for Color
_______	85	Winter 90-91	Silk Scarves, Beads, Shadow Weave
_______	87	Summer 91	Boundweave, Lichen Dyes, The 16s
_______	89	Winter 91-92	Drink Mix Dyes, Diagonals, Surface Weaves
_______	90	Spring 92	Contemporary Navajo Textiles, Romona Sakiestewa, Micmac Basketmakers, Hopi Brocade Weave
_______	92	Fall 92	Turned Ms & Os, Cherokee Basketry, Origins of Spinning & Weaving
_______	94	Spring 93	Weaving for a Picnic, Flax and Ramie, Sweater that Shines, Angora Goats
_______	95	Summer 93	Pam Patrie, Color or Weave Effects, Overshot, Spinning, Plying with Dental Floss
_______	96	Fall 93	Small Expressions, Ann Sutton, Chilkat Blankets, Handspun Angora, Mohair
_______	97	Winter 93-94	Coverlet Weaving, Twill Sampler, How to Organize Guild Programs
_______	98	Spring 94	Textiles of Latvia and Estonia, Kasuri Dyeing/Weaving, Novelty Dyeing
_______	99	Summer 94	Handkerchief, Network Drafting, Distorted Wefts
_______	100	Fall 94	Handspun, Spindle Whorls, Dyers of Delphi, Drop Spindle
_______	101	Winter 94-95	Spinning Cotton, Raw Silk, Bead Explosion, Network Drafting
_______	102	Spring 95	Contemporary Weaving, Tencel, Wild Silks
_______	105	Winter 95-96	Digital Weaving, Tatting, Shadow & Light, Kenaf Spinning
_______	106	Spring 1996	Natacha Wolters-Queen of Beads, Keeping Spinning in the Ivory Coast, Tablet Weaving, Spinning, Weaving & Dyeing in Rural Crete
_______	108	Fall 96	Taipeis Gael, Convergence 96, British Tapestry
_______	109	Winter 96-97	Bauhaus, Margaret Roach Wheeler, Victor Jacoby, Russian Old Believers, LX
_______	110	Spring 97	Navajo Textiles, Mary Frances Davidson, Kashmir Shawls, The Teaching Circuit: Part I
_______	112	Fall 97	Elizabeth Wayland Barber, The Carolina Flax Project, The Teaching Circuit: Part III
_______	113	Winter 97-98	Maru Dai, Alpaca, Warp-Faced Rep, Flax, The Teaching Circuit: Part IV
_______	114	Spring 98	Understanding Copyright, Leon Niehues, Helena Hernmarck, Treasured Buttons
_______	116	Fall 98	Convergence 98 exhibits, C.A. Michel, Chiyoko Tanaka, TLC
_______	117	Winter 98/99	Lewis Knauss, Lyn Sterling Montagne, Double Weave, Spinning Fiber Blends
_______	119	Summer 99	Kenneth Trapp, Silvia Heyden, Larsen Archive, Kids Fiber Fun Camp, LX#25
_______	120	Fall 99	Convergence 2000 featured speakers, Peter Collingwood, HGA at Thirty, Ann Hall-Richards, Patagonian Textiles
_______	121	Winter 99-00	Woven Shibori, Weaving the Convergence 2000 Logo, Pirkko Karvonen, Jane Evans
_______	122	Spring 00	Cheryl Samuel, COE Handbooks Revision, Wrapped in Pride, The Catherine Marshall Gardiner Basket Collection
_______	123	Summer 2000	Jung Sook Lee, Korean Fiber Artist, Feltmaking, Weft-Faced Rug Weaving, Beach Weaving
_______	125	Winter 2000/2001	Ai-shi, Japan’s Indigo Masters, Judy Mulford, The Carnegie Fabrics Exhibit, On the Weaverbird Trail
_______	126	Spring 2001	Chad Alice Hagen, Young Ja Choi, Paiute Basketry, Tassels through Time, Utilitarian, Decorative Ceremonial Blankets
_______	127	Summer 2001	Keeping a Dyeing Tradition Alive, Japanese Fishermen’s Coats Exhibit, LX#29, Kids Fiber Fun Camp
_______	128	Fall 2001	Convergence 2002 Vancouver Featured Speakers, Jewelry of Arline Fisch, Dobag and the Revival of Turkish Rug Weaving
_______	129	Winter 01/02	Basketmaker Marilyn Moore, Joanne Soroka’s Tapestries, 10th Annual Triennial, Weaving in Nagaland, LX#30
_______	130	Spring 2002	Technology as Catalyst, Vancouver’s Museum of Anthropology, Embroidery from India, Cedar Bark Hats, Inger Anne Utvåg
_______	131	Summer 2002	Jan Hopkins, Barbara Heller, Kids Fiber Fun Camp, LX#31
_______	132	Fall 2002	Ikat Rebozos of Central Mexico, Tsunami: Yardage Exhibit, Shopping on the Web, Susan Iverson Talks About Her Works
_______	133	Winter 2002/2003	Phosphorescence: HGA's Convergence 2002 Exhibit, European Textile Museums, COE-Dyeing Examination, Learning Exchange 32
_______	134	Spring 2003	Cross Currents: Convergence 2002 Basketry Exhibit, Tapestry in Hungary, HGA 2002 Award Recipients, Marketing and the Fiber Artist, The Kilbarchan Project, Special Supplement: Generations/Transformations: American Fiber Art at the American Textile History Museum
_______	136	Fall 2003	Convergence 2004 Denver Featured Speakers, Sculptural Baskets of Lindsay K. Rais, Chunghie Lee3: Ambassador of Korean Pojagi, Color/Colour/Color—Forecasting Trends, Convergence 2004 Denver Registration Book
_______	138	Spring 2004	Cloth Tells a Story, The Inspired Vessel, Tapestry - Yesterday and Today, Laheria, James Koehler
_______	141	Winter 2004/2005	SOFA Chicago, Lia Cook, Mountain Majesty C04 Exhibit, From Fleece to Fiber: A Tale of Three Fiber Processors, Right From the Start: Plan a Project, Out of the Stash LX, Weaving a Lord of the Rings Fellowship Cloak LX, Balanced Plain Weave LX, Fiber Identification through Various Tests LX
_______	142	Spring 2005	HGA Award Recipients, Right From the Start: Design Fabrics Using Versatile Twills, Queen of the Plains C04 Exhibit, The New Sculpture, Laura Foster Nicholson, The Creative Journey: Listening to Your Intuition, Felt History
_______	143	Summer 2005	2005 Discovered in the Dance: The Work of Ferne Jacobs, Right From the Start: Weave Weft-faced, Warp-faced, and Uneven Fabrics, Artwear: A Brief History, HGA/Interweave Press Teach-It-Forward 2004 Grant Recipient, Contemporary Feltmakers, Twills LX, Spinning Silk for Embroidery LX, Thick �n Thin LX, Orange Spinning Challenge LX, Tapestry Crochet a Cell Phone Pouch, Kids Fiber Fun Camp, Bead Buddies, Flip Flop Fun
_______	145	Winter 2005/2006	Grant Recipients for 2005, Right From the Start: Compare Summer-and-Winter and Overshot, Maine Fiberarts, The Kaunas Art Biennial: TEXTILE 05, Matisse and His Textile Library, Merino: A Golden Fleece LX, Advancing Twills LX, Shetland Sheep LX, Loom-Controlled Stitched Double Cloth LX
_______	146	Spring 2006	HGA Award Recipients for 2005, Meyer May House, Right From the Start: Keep Personal Fiber Inventories, Urban Jupena: Living the Artist�s Life, Intertwined: Contemporary Baskets from the Lieberman Collection, In Search of Mud: Bogolanfini, Bethany Barry, Harpies, Mermaids and Tulips: Embroidery of the Greek Islands and Epirus Region, Junco Sato Pollack, Susan Lenart Kazmer
_______	147	Summer 2006	Miao Textiles from the Collection of Susan Weitzman Conway, Right From the Start: Incorporate Conference Attendance into Your Learning Process, The Textile Museum�s Thesaurus, A Journey of the Imagination, Line, Space and Form: Art of Kay Sekimachi, Takako Ueki and Habu, Block Twill LX, Flax LX, Monk�s Belt LX, Paper Thread LX; Kids Fiber Fun Camp, Having Fun with Needle, Thread, and Mesh Bags, Needle Weaving on a Frame Loom
_______	148	Fall 2006	HGA and Dendel Scholarship Recipients for 2006, Right From the Start: Understand Weave Structure, D. James Dee: Translating the Artist�s Intentions, Back to the Floor Exhibition, HGA�s Small Expressions 2006, Design and Color Trends for 2007, Convergence 2006, HGA Thanks Its Convergence Volunteers, Make a Grand Entrance Wearable Art Fashion Show, Life in the Creative Stream
_______	149	Winter 2006/2007	Great Lengths: Yardage Exhibit, Right From the Start: Use Treadling Methods to Extend Your Options on Four Shafts, Cut and Sew with Confidence, John Garrett: Process, Materials and Vision, Dyeing without a Dyepot: Disperse Dyes, Nancy Moore Bess: Artist, Author, Artisan, Tablet Weaving: The Vacant Hole Technique LX, Spinning Variegated Fibers LX, Weaving Huck LX, Spinning Wool from Wensleydale Sheep LX
_______	150	Spring 2006	HGA Award Recipients for 2006, Right From the Start: Plan Your Warp, The Colors of Nature, The Montreal Centre for Contemporary Textiles and Louise Lemieux-Berube, Craft in America, Sewing Handwoven Fabric with Confidence, Leki and Rinzin Wangmo: Weavers of Bhutan, Creative Grand Crossings: Multimedia Interlacements Exhibit
_________	151	Summer 2007	Right From the Start-Keep Your Loom in Top Shape with the Appropriate Number of Heddles, Berta Frey's Dress, WeaveCast: A Podcast for Handweavers, Hems for Handwovens, Kyung Ae Cho, Marcel Marois: Meditations, Kids Fiber Fun Camp, Woven Ribbons, Summer Fun with Embellished Ribbons Memo Board, Alpacas LX, Fanciful Figures LX, Reading Manuscripts LX, Bamboo Mania LX
_________	152	Fall 2007	HGA and Dendel Scholarship Recipients for 2007, Right from the Start-Assess Your Progress, HGA's Small Expressions 2007, At Home with Crafts, Featured Speakers for Convergence 2008, Joan Morris: A Journey with Shibori, Victoria Z. Rivers: Beyond the Shining Cloth, Weaving a World Back Together: Willa Shalit and the Path to Peace, Unfurled: Expressive Cloth Exhibition, Buttonholes, Kiyomi Iwata, Private Pleasures: Collecting Contemporary Textile Art
_________	153	Winter 2007/2008	Right from the Start: Sley Your Reed According to Your Sett, Braid Embellishment for Clothing, Pricked: Extreme Embroidery, Barbara Layne: Concordia's Creative Collaborator, Weave with Bamboo (LX), Spinning Worsted without Combs (LX), An Introduction to Triaxial Weave (LX), Spinning Mohair (LX)
_________	154	Spring 2008	Quilt Study Center & Museum, Textiles & Baseball, Right From the Start: What Can I Make with Just One? HGA Awards, Behind the Seams: Facings & Interfacings, BLUE, Laura Militzer Bryant and Prism Yarns, Polly Adams Sutton, High Touch and High Tech
_________	155	Summer 2008	Waves of Creativity, Behind the Seams: Underlinings and Linings for Handwovens, Right From the Start: Learn Fabric Analysis, Bhakti Ziek, Under-Dyeing and Over-Dyeing with Indigo Tinctoria: A Certificate of Excellence in Dyeing Level II, The Victorian Tapestry Workshop in Action, Kids Fiber Fun Camp, Braided Pet Accessories, Punch Needle Embroidery
_________	156	Fall 2008	HGA and Dendel Scholarship Recipients for 2008, Right from the Start—Sources of Inspiration, HGA's Small Expressions 2008, Convergence 2008 Tampa Bay, Fiber Exhibitions by Polly Barton, Mary Anne Jordan, Eleanor McCain, and Mary Zicafoose, Timbuktu to Tibet: Rugs and Textiles of the Hajjii Babas, Dance of the Flamingos Fashion Show and Exhibit at Convergence 2008, Convergence 2008 Design Challenge, The Spinner's Challenge: Three Yarn Sizes, One Fleece, Handwovens 911: Wear and Tear Repair, Want to Teach at Convergence? Seven Deadly Sins When Creating a Proposal for Convergence
_________	157	Winter 2008/2009	Right from the Start—Explore Plain Weave and Its Derivatives, Kimono as Art: The Landscapes of Itchiku Kubota, Ebb Tide—Yardage Exhibition at Convergence 2008 Tampa Bay, The Cotsen Contemporary American Basket Collection: A Gift to Racine Art Museum, Sewing Tips for Table Linens, Lillian Whipple: the Logo Lady, A Taquet� Project: Build a House, Put Fiber Artists on the Map, Selecting a Digital Projector
_________	158	Spring 2009	Excursion Journal, Right from the Start—Extend Your Weaving to Upholstery Fabrics, Threads of Continuity Along the New Mexico Fiber Arts Trails, Constructed Color: Amish Quilts, HGA Award Recipients for 2008, Fashioning Felt, Salsa y Salsa—Multimedia Fiber Art Exhibition at Convergence 2008, Sewing Tips for Handwoven Pillows, Certificate of Excellence—What Is It and Why Do It?
_________	159	Summer 2009	Right From the Start — Weaving Block Designs, Textures and Hues of the Fiber Arts Trails — Part I, The North Central Loop, Behind the Scenes: The Convergence Designers' Fashion Challenge in 2008, Reflections on a COE Journey, The Textile Museum's Recent Acquisitions Exhibition; Bead Crochet Rope Bracelet. A Family of Radially Symmetric, Ply-Split Braided Vessels, Kids Fiber Fun Camp, Potholder Loom Revisited: Projects for the 21st Century, Leno Lace on a Rigid Heddle Loom.
_________	160	Fall 2009	Right From the Start — How to Get to Convergence 2010; Contemporary Japanese Fashion: The Mary Baskett Collection at The Textile Museum; HGA's Small Expressions; HGA and Dendel Scholarship Recipients for 2009; Textures and Hues of the Fiber Arts Trails — Part 2, The North Central Loop; Behind the Scenes: The Convergence Challenge Team: Nancy Peck and Diane Ericson; Organizing a Certificate of Excellence (COE), Level II, Study; and Small Wonders.
_________	161	Winter 2009/2010	Right from the Start — Time Savers — or Not?, Planning Ahead? First, Look Back, Facing the Maze, The Center for Traditional Textiles of Cusco, Peru, Behind the Scenes: 2008 Designers' Challenge Team Irene Munroe and Louise Cutting, Teaching and Learning through Correspondence, Susan Lazear — Convergence 2010 Featured Speaker.