This bibliography lists citations which can be useful for completing requirements
for the Certificate of Excellence in Handweaving (COE-W). Many other references
could have been listed which would have served equally well, so this listing
makes no claim to be complete or preferable to other choices. The multiple references
for many requirements are intended to provide a choice for study. Most of these
references are available through lending libraries, universities, weaving teachers,
and museum libraries. A COE applicant need not refer to all sources listed.
For additions or corrections to this list, contact: Handweavers Guild of America,
Inc., 1255 Buford Highway, Suite 211,
Suwanee, GA 30024,
telephone (678-730-0010), email hga@weavespindye.org
Part 1 - Design Elements and Principles
Albers, J. Interaction
of Color, rev. ed. New Haven, CT: Yale University Press, 1975.
Atwater, M. Design and the Handweaver. Shuttle Craft Monograph 3. Coupeville,
WA: Shuttle Craft Books, 1961.
Bevlin, M.E. Design Through Discovery. New York: Holt, Rinehart and Winston,
1977. 78-92, 128-138.
Birren, F. Principles of Color. New York: Van Nostrand Reinhold, 1969.
Black, M. The Key to Weaving. 2nd revised edition. New York: Macmillan,
1980. 634-647.
Boles, M., & Newman, R. The Golden Relationship: Art, Math, and Nature,
Universal Patterns, vol. 1, 2nd ed., Bradford, MA: Pythagorean Press, 1987.
Boles, M., & Newman, R. The Golden Relationship: Art, Math, and Nature.
The Surface Plane, vol. 2, Bradford, MA: Pythagorean Press, 1989.
Chevreul. M.E. The Principles of Harmony and Contrast of Colors and Their
Practical Applications to the Arts. New York: Van Nostrand Reinhold, 1981.
Dobrovolny, A. “Color Theory Applied.” Handwoven, 1981, September.
2(4), 33-34.
Doczi, G. The Power of Limits: Proportional Harmonies in Nature, Art &
Architecture. Boulder, CO: Shambhala Publications, 1981.
Elliott, V. The Seventeen Pattern Types: A Study of Repeat Pattern in Two
Dimensions. Hendersonville, NC: Emerald Press, 1990.
Evans, H.M. Man the Designer. New York: Macmillan, 1973. 40-43, 52-55.
Gerritsen, F. Evolution in Color. West Chester, PA: Schiffer Publishing,
1988.
Ghyka, M. The Geometry of Art and Life. New York: Dover, 1977. (originally
published 1946).
“Glossary of stripes.” Handwoven, 1983, March. 4(2). 48.
Graves, M. The Art of Color and Design. 2nd ed. New York: McGraw Hill,
1951.
Hambidge, J. Practical Applications of Dynamic Symmetry. New Haven, CT:
Yale University Press, 1932.
Held, S.E. Weaving: A Handbook of the Fiber Arts. New York: Holt, Rinehart
and Winston, 1978. 307-322.
Huntley, H.E. The Divine Proportions. New York: Dover Publications, 1970.
“In Chance We Trust.”. Handwoven, 1983, March. 4(2). 57.
Itten, J.The Elements of Color. New York: Van Nostrand Reinhold, 1970.
Jerstorp, K. & Kohlmark, E. The Textile Design Book. Asheville, NC:
Lark, 1988. 143-144.
Jordan, R.F. Le Corbusier. New York: Lawrence Hill & Co, 1972. 106-127.
Kurtz, C. “Color Use in Patterned Weaves.” Shuttle Spindle &
Dyepot, 1980, Summer. #43. 22-25.
Kurtz, C.S. Designing for Weaving: A Study Guide for Drafting, Design and
Color, 1981. Loveland,
CO: Interweave. 45-48.
Lambert, P., Staepelaere, B., and Fry, M.G. Color and Fiber. West
Chester, PA: Schiffer, 1986.
Liebler, B. “Color Excitement.” Handwoven, 1985, March. 6(2).
80-81.
Liebler, B. “Color Scheming.” Handwoven, 1984, September. 5(4),
88-89.
Liebler, B. “The Stripe As A Design Module.” Handwoven, 1983,
March. 4(2). 52.
Marx, E. Optical Color and Simultaneity. New York: Van Nostrand Reinhold,
1981.
Menz, D. “Color Concepts: Learn the Language of Color.” Handwoven,
2000, March. 21(2). 36-40.
Morton, B.“Know Your Colors.” Handwoven, 1993, January. 14(1).
62.
“Music for Inspiration.” Handwoven, 1983, March. 4(2). 51.
Pedoe, D. Geometry and the Visual Arts. New York: Dover, 1983.
Stevens, P.S. Handbook of Regular Patterns. Cambridge, MA: MIT Press,
1984.
Strickler, C., & Taggart, B. Weaving in Miniature. Loveland, CO:
Interweave, 1981.
Sullivan, D. Color Interaction for Handweavers (video). Colfax, CA: Victorian
Videos, 1991.
Sullivan, D. “Color Primer.” Weaver's #16, 1992. 10-13.
Sullivan, D. “Designing with Modules.” Handwoven, 1985, Fall.
16(4), 54-58
Sullivan, D. “That Fabulous Fibonacci.” Shuttle Spindle & Dyepot,
1988, Winter. 20(1). 21-24.
Templeton, P. “Geometric Proportions as a Design Tool.” The Weaver's
Journal #16, 1980, April. 8-10.
“The Fibonacci Series.” Handwoven, 1983, March. 4(2). 45.
The New Munsell Student Color Set. New York: Fairchild Books & Visuals,
1994.
Washburn, D., & Crowe, D. Symmetries of Culture. Seattle: University
of Washington Press, 1986.
Weigle, P. Color Exercises for the Weaver. New York: Watson-Guptill,
1976.
Wertenberger, K. “Complementary Colors.” Handwoven, 1985, November.
6(5), 90-91.
Wertenberger, K. “Designing with Color.” Handwoven, 1981, September.
2(4). 32.
Wertenberger, K. “Tools of the Designer: Color Wheels and Color Blankets.”
Handwoven, 1981, March. 2(4). 50-52.
Wong, W. Principles of Two-Dimensional Design. New York: Van Nostrand
Reinhold, 1972.
Part 2 - Equipment
Alderman, S. “Reviews:
End Feed Shuttles.” Weaver's #38, 1997, Winter. 50-51.
Black, M.E. The Key to Weaving. New York: Macmillan, 1980.
Chandler, D. Learning to Weave. Loveland, CO: Interweave, 1995.
Cyrus-Zetterstrom, U. Manual of Swedish Handweaving. Stockholm, Sweden:
Lts forlag, 1984.
Fannin, A.A. Handloom Weaving Technology. New York: Lyons Press Design
Books, 1998.
Guy, S. Warping and Loom Preparation (video) Colfax, CA: Victorian Video,
1997.
Held, S.E. Weaving: A Handbook of the Fiber Arts. New York: Harcourt
Brace, 1998.
Keasbey, D. Pattern Devices for Handweavers. Bethesda, MD, 1981.
Osterkamp, P. Winding a Warp and Using a Paddle. Sausalito, CA: Lease
Sticks Press, 1992.
Osterkamp, P. Warping Your Loom and Tying on New Warps. Sausalito, CA:
Lease Sticks Press, 1995.
Smith, B.H. “Right from the Start.” Shuttle Spindle & Dyepot,
1995/96 Winter #105. 15-17.
Smith, B.H. “Right from the Start.” Shuttle Spindle & Dyepot,
1995 Spring #102. 14-15.
Steinkoenig, J. “Choosing a Treadle Loom.” Handwoven, 1993,
March. 14(2). 68-69.
Part 3 - Handweaving Techniques
Weaver Controlled Techniques
A. Tapestry
(Weft Face)
Harvey, N. Tapestry, Level I (video). Colfax, CA: Victorian Video, 1985.
Harvey, N. Tapestry, Level II (video). Colfax, CA: Victorian Video, 1987.
Harvey, N. Tapestry Weaving: A Comprehensive Study Guide. Loveland, CO:
Interweave, 1991.
Russell, C. K. The Tapestry Handbook. Asheville, NC: Lark, 1990.
Scorgie, J. “Weaving a Tapestry Sampler.” Handwoven, 1988,
March. 9(2). 45-48.
Tidball, H. Contemporary Tapestry. Shuttle-Craft Monograph #12. 1964.
B. Inlay, Brocade
& Pickup
Alperin, L. “Easy Twill Inlay.” Handwoven, 1994, May. 15(3).
49, 52.
Black, M.E. The Key to Weaving. New York: Macmillan, 1980. Chapter 4.
Bradley, L. Inkle Weaving. England: Routledge, 1982. 21-26.
Bress, H. Inkle Weaving. Rockville, MD: Flower Valley, 1990. 105-135.
Irwin, A. “A Passion for Pick-Up.” Handwoven, 1999, January.
20(1). 35-43.
Jensen, G. “Warp Faced Weaving.” Handwoven, 1982, May. 3(3).
42-44.
Keasbey, D. “A Weaver's Window.” Weaver's #28, 1995, Summer.
14-16.
Keasbey, D. “How to Weave a Transparency.” Handwoven, 1983,
January. 4(1). 27-30.
Keasbey, D. “Inspired by Peru.” Handwoven. 21(1), 1999, January.
56-61.
Keasbey, D. Sheer Delight: Handwoven Transparencies. Petaluma, CA: Stella,
1990.
Searle, K. “Pick-Up Weaves.” Shuttle Spindle & Dyepot,
1998/99, Winter #117. 52-54.
Stables, J.M. “Double-Weave Silhouettes.” Weaver's #24, 1994,
Summer. 29.
Sullivan, D.L. “Inlay.” Shuttle Spindle & Dyepot, 1994/95,
Winter #101. 50-52.
Tidball, H. Two-Harness Textiles: Brocade. Shuttle-Craft Guild Monograph
#22, 1968.
Tidball, H. Weaving Inkle Bands. Shuttle Craft Guild Monograph
#27, 1969. 30-34.
Torgenrud, H. “Pick Up a Band of Chevrons.” Handwoven, 1996,
January. 17(1). 50-53.
van der Hoogt, M. “A Pick-Up Handbook for Handweavers.” Weaver's
#24, 1994, Summer. 8-13+
C. Lace Weaves
“Finger-Manipulated Lace Weaves.” Handwoven, 1994, May. 15(3).
60-61.
Patrick, J. “Finger Control: Or Getting the Most Out of Your Loom.”
Handwoven, 1983, March. 4(2). 70-72.
Tardy, V. “Bronson Lace: Perfect for Pick-Up.” Weaver's #24,
1994, Summer. 16-18.
Tidball, H. Two-Harness Textiles: Open-Work Weaves. Shuttle-Craft Guild
Monograph #21, 1967
van der Hoogt, M. “A Pick-Up Handbook for Handweavers.” Weaver's
#24, 1994, Summer. 8-13+.
van der Hoogt, M. ed. The Best of Weaver's: Huck Lace. Sioux Falls, SD:
XRX Inc., 2000.
Wertheimer, S. “Applicant #029: Antonia Kormos.” Shuttle Spindle
& Dyepot, 1979, Spring. 10(2), 68-69+.
West, V.M. Finishing Touches for the Handweaver. Loveland, CO: Interweave,
1988. 81-93.
D. Two-Layer
Techniques
Davenport, B. “Rigid Heddle Double Weave.” Handwoven, 1992,
May. 13(3). 16 and 91.
Keasbey, D. “Pick-Up Patterned Double Weave.” Handwoven, 1984,
March. 5(2), 80-86.
Scorgie, J. “Easy Double Weave Pick-Up.” Handwoven, 1988, January.
9(1), 41-46.
Tidball, H. Double Weave: Plain and Patterned. Shuttle-Craft Guild Monograph
#1, 1960. 11-15.
Tidball, H. Two Harness Textiles: Open Work Weaves.Shuttle-Craft Guild
Monograph #21, 1967. 3-16.
Wouter, E.L. “Double Weave Pick-Up with Straight Diagonal Lines.”
Weavers Journal, 1983, Spring. 7(4), 61-63.
E. Pile Techniques
Allard, M. Rug Making Techniques and Design. New York: Chilton, 1963.
26-84.
Collingwood, P. Rug Weaving Techniques: Beyond the Basics. Loveland,
CO: Interweave, 1990. 149-153.
Collingwood, P. The Techniques of Rug Weaving. New York: Watson-Guptill,
1969. pp. 211-240, 464-465, & 495-496.
Erickson, J. “Rya Rugs.” Shuttle Spindle & Dyepot, 1982,
Summer. 13(3), 36-39.
Held, S.E. Weaving: A Handbook of the Fiber Arts. New York: Holt, Rinehart
& Winston, 1978. 199-205.
Thilenius, C. “Rya.” in L. Ligon's (ed.) A Rug Weaver's Source
Book. Loveland, CO: Interweave, 1984. 30, & 115-132.
Wilson, J. The Pile Weaves: Twenty-Six Techniques and How to Do Them.
New York: Van Nostrand Reinhold, 1974. 96 pp.
F. Warp-encircling
Techniques
Baizerman, S. & Searle, K. Finishes in the Ethnic Tradition. St.
Paul, MN: Dos Tejedoras, 1978.
Black, M.E. The Key to Weaving. New York: Macmillan, 1980. 154-159.
Collingwood, P. Rug Weaving Techniques: Beyond the Basics. Loveland,
CO: Interweave, 1990. 143-153.
Collingwood, P. The Techniques of Rug Weaving. New York: Watson-Guptill,
1968. 183-211, 463-477 & 481-513.
Fraser, D.W. A Guide to Weft Twining and Related Structures with Interacting
Wefts. Philadelphia, PA: University of Pennsylvania Press, 1989.
Harvey, V.I., and Tidball, H. Weft Twining. Shuttle Craft Guild Monograph
#28, 1969.
Nichols, E.C. “Weft-Twined Weaving.” Shuttle Spindle & Dyepot,
1985, Summer. #63. 82-84.
Russell, C.K. The Tapestry Handbook. Asheville, NC: Lark, 1990. 125-134
and 147-148.
West, V.M. Finishing Touches for the Handweaver. Loveland, CO: Interweave,
1988. 47-48.
Wilson, J. Soumak Workbook. Loveland, CO: Interweave, 1982.
Loom Controlled Techniques
G. Variations
in Sett
Black, M.E. The Key to Weaving. New York: Macmillan, 1980. 177-180.
Landis, L. Twill and Twill Derivatives. Greenwich, CT: author, 1977.
Windeknecht, M.B. Creative Overshot. Monograph #31. Coupeville, WA: Shuttle
Craft Books, 1978.
Zielinski, S. Contemporary Approach to Traditional Weaves: Overshot and Summer
and Winter. Vol. 7 of Master Weaver Library. Quebec: Nilus Leclerc, 1980.
H. Color Blanket
Berent, M. “Weaver's Whimsy: Colors!” Weaver's #38, 1997, Winter.
45.
Itten, J. The Elements of Color. New York: Van Nostrand Reinhold, 1970.
Lucas, J. “Color Gamp Jacket.” Shuttle Spindle & Dyepot,
1996, Summer. #107. 42-43.
Wertenberger, K. “Tools of the Designer: Color Wheels and Color Blankets.”
Handwoven, 1981, March. 2(4). 50-52.
Yamamoto, J. “Color Windows.” Weaver's #28, 1995, Summer. 21.
I. Twill Variations
Drooker, P.B. Samplers You Can Use. Loveland, CO: Interweave, 1984. 94.
Geis, F. “Samplemania.” Weaver's #35, 1997, Spring. 30-33.
Hunt, S. “The Thrill of Twills.” Shuttle Spindle & Dyepot,
1999/2000, Winter #121. 48-51.
Keasbey, D. “Weaving as Drawn In—Classic Style, Part I.” Shuttle
Spindle & Dyepot, 1985, Winter #65. 28-32.
Keasbey, D. “Weaving as Drawn In—Classic Style, Part II.” Shuttle
Spindle & Dyepot, 1986, Spring #66. 38-41.
Landis, L. Twills and Twill Derivatives. Greenwich, CT: Landis, 1977.
Redding, D. Learning to Weave with Debbie Redding. Loveland, CO: Interweave,
1984.
Scorgie, J. “Twill—Coming to the Point.” Weaver's Craft,
2000, May. 1(2). 4-13.
Scorgie, J. “Weaving a Four-Shaft Twill Sampler.” Handwoven,
1995, September. 16(4). 58-60.
Sullivan, D.L. “A Twill Sampler.” Shuttle Spindle & Dyepot,
1993, Winter #97. 50-52.
Sutton, A. Color and Weave Design Book. Asheville, NC: Lark, 1984.
J. Color-and-Weave
Effects
Alderman, S. “Color and Weave Effects, Part I.” Handwoven,
1993, March. 14(2), 30-32.
Alderman, S.“ Color and Weave Effects, Part II.” Handwoven,
1993, May. 14(3), 30-31.
Keasbey, D. “Four Is the Magic Number.” Weaver's #31, 1996,
Spring. 14-17.
Keasbey, D. “Weaving as Drawn In.” Shuttle Spindle & Dyepot,
1985, Winter. 17(1), 28-32.
Moes, D. “Plain Weave: Color and Weave Effects.” Shuttle Spindle
& Dyepot, 1993, Summer. 24(3), 44-47.
Patrick. J. “Two on Two: Two-Block Log Cabin Runner.” Handwoven,
2000, May. 21(3). 40-42.
Sutton, A. Color and Weave Design. Asheville, NC: Lark, 1984.
Tidball, H. Two-Harness Textiles: The Loom Controlled Weaves, Monograph #20,
Coupeville, WA: Shuttle Craft Books, 1967.
Windeknecht, M.B. & Windeknecht, T. Color and Weave. New York: Van
Nostrand Reinhold, 1981.
K. Treadling
Methods
Barrett, C. “Summer and Winter and Beyond.” Monograph #2, Boulder,
CO: Colorado Fiber Center, 1982.
Black, M. The Key to Weaving. NY: Macmillan, 1980. 226-274, 311-336..
Bress, H. The Weaving Book. NY: Charles Scribner, 1981. 199-332.
DeRuiter, E. “Friendship Treadlings.” Weaver's #35, 1997, Spring.
46-48.
Keasbey, D. Designing with Blocks. Bethesda, MD: Alta Vista, 1993.
Keasbey, D. “Woven as Drawn In - Classic Style.” Shuttle Spindle
& Dyepot, 1985, Winter #65. 28-32.
Lucas, J. “Summer & Winter.” Shuttle Spindle & Dyepot,
1996/97, Winter #109. 51-54.
Sullivan, D. Summer and Winter: A Weave for All Seasons. Loveland, CO:
Interweave, 1991. 14-18.
Sullivan, D.L. Weaving Overshot: Redesigning the Tradition. Loveland,
CO: Interweave, 1996.
Tidball, H. Summer and Winter and Other Two-Tie Unit Weaves. Shuttle-Craft
Guild Monograph #19, 1966. 11-14.
Tidball, H. The Weaver's Book. NY: Macmillan, 1961. 160-164.
Windeknecht, M.B. Creative Overshot. Monograph #31. Coupeville, WA: Shuttle
Craft Books, 1978.
Zielinski, S. Contemporary Approach to Traditional Weaves: Overshot and Summer
and Winter. Vol. 7 of Master Weaver. Quebec: Nilus Leclerc, 1980.
L. Profile Drafts
Alderman, S. “Profile Drafting: Getting the Big Picture.” Handwoven,
1987, November. 8(5). 44-45.
Black, M.E. The Key to Weaving. NY: Macmillan, 1980. 545-564.
Chandler, D. Learning to Weave. Loveland, CO: Interweave, 1995.
Keasbey, D. Designing with Blocks for Handweavers. Bethesda, MD: Alta
Vista, 1993.
Keasbey, D. Pattern Devices for Handweavers. Bethesda, MD, 1981. 111-114.
Kreckel, A. “Profiles - A Creative Tool.” Shuttle Spindle &
Dyepot, 1998, Summer #115. 39-41.
Redding, D. “Block Drafting Profile Drafts, and a Few Other Related Things.”
Handwoven, 1983, May. 4(3), 19-21.
Sullivan, D. Summer and Winter: A Weave for All Seasons, Loveland, CO:
Interweave, 1991.
Tidball, H. The Handloom Weaves: Enlarged Edition. Shuttle-Craft
Guild Monograph #33, 1984. 32 & 39.
van der Hoogt, M. “Understanding Blocks.” Handwoven, 2000,
May. 21(3). 24-27.
Zielinski, S. Contemporary Approach to Traditional Weaves: Overshot and Summer
and Winter. Vol. 7 of Master Weaver. Quebec: Nilus Leclerc, 1980.
M. Lace Weaves
Alderman, S. “Designing Huck Lace.” Handwoven, 1997, March.
18(2). 39-45.
Autio. L. “Swedish Lace Basics.” Handwoven, 1997, November.
18(5). 46-51.
Black, M.E. The Key to Weaving. New York: Macmillan, 1980. 337-358, 358-360.
Farling, K.M. “Dreaming Up a Huck Lace Border.” Handwoven,
1999, May. 20(3). 54-57, 65-68.
Keasbey, D. “Four Is the Magic Number.” Weaver's #31, 1996,
Spring. 14-17.
Liebler, B. “A Glossary of Lace Weaves.” Handwoven, 1988, May.
9(3). 45-48.
McNulty, M. “Looking at Lace.” Shuttle Spindle & Dyepot,
1998, Summer #115. 47-49.
Moes, D. “Lace Weaves and Lace Effects.” Shuttle Spindle &
Dyepot, 1992, Summer #91. 38-41.
Muller, D. Handwoven Laces. Loveland, CO: Interweave, 1991. 40-61, 106-119,
128-139.
Tedder, L. “Stuck on Lace.” Weaver's #10, 1990. 14-19.
Tidball, H. Gauze and Leno, the Crossed-Warp Weaves. Shuttle Craft Guild
Monograph #21, 1967. 20-21.
Tidball, H., and Harvey, V.I. Swedish Lace System. Shuttle Craft Guild
Monograph #33. 1984. 29 & 37.
van der Hoogt, M. (ed.). The Best of Weaver's: Huck Lace. Sioux Falls,
SD: XRX Inc., 2000.
Wertenberger, K. “Turned Bronson Lace.” Handwoven, 1992, March.
13(2). 58-59.
West, V.M. Finishing Touches for the Handweaver. Loveland, CO: Interweave,
1988. 16-18.
N. Doup or Bead
Leno
Alderman, S.D. “Loom-Controlled Leno.” Handwoven, 1981, May.
2(3), 38-39+.
Bardwell, K. “Loom Controlled Bead Leno.” Shuttle Spindle &
Dyepot, 1981, Summer. #47, 50-51+.
DeRoy, P. “Bead Leno.” Weaver's Journal, 1976, October. 1(2),
36-37.
Merritt, E. “Figured Bead Leno Lace.” Weaver's Journal, 1981,
Summer. 6(1), 50-53.
Sullivan, D. “Gauze Weave: Pick-Up Versus Bead Gauze.” Shuttle
Spindle & Dyepot, 1986, Summer. #67, 14-18.
Sullivan, D. “Leno for Four.” Weaver's #15, 1991. 10-13.
Wertenberger, K. “A New Twist on Bead Leno.” Handwoven, 1989,
November. 11(5). 92-94.
O. Supplementary
Warp
Moes, D. “Take Advantage of Turned Drafts.” Shuttle Spindle &
Dyepot, 1982, Spring. 13(2), 58-59.
Sullivan, D. “Weaver's Primer: Supplementary Warp.” Weaver's,
1989, Fall. #7, 14-17.
Tidball, H. Supplementary Warp Patterning. Shuttle Craft Monograph #17,
1966. 1-5, 23-34.
Walker, B. “Right from the Start.” Shuttle Spindle & Dyepot,
1999, Summer. #119. 13-14.
Walker, B. “One Shuttle, Two Warps.” Weaver's #22, 1993, second
quarter. 20-21.
Walker, B. “Pushing the Llimits on Four.” Weaver's #31, 1996,
Spring. 1-19.
Walker, B.J. “An Introduction to Turned Overshot.” Shuttle Spindle
& Dyepot, 1999, Summer #119. 40-42.
P. Loom-controlled
Pile Weaves
Collingwood, P. The Techniques of Rug Weaving. New York: Watson-Guptill,
1968. 399-410.
Keasbey, D. “Corduroy: A Guide.” Weaver's #11, 19901. 52-53.
Keasbey, D. “Weaver's Primer: Velvet.” Weaver's #8, 1990. 20-24.
Koslin, D. “Weaver's Revisited: 'In Quest of Velvet' Figured Warp Pile
with Simple Means.” Weaver' #18, 1992. 42-45.
Moes, D. “Three in One.” Shuttle Spindle & Dyepot, 1987,
Spring #70. 74-77.
Pickett, B.S.“ Weaving Solid Velvet.” Complex Weavers Newsletter,
1993, January #41, 3-6+.
Regensteiner, E. The Art of Weaving. West Chester, PA: Schiffer, 1986.
151-153.
Reiber, K. “Overshot and 'Corduroy': All in One Warp.” Weaver's
#32, 1996, Summer. 28-29.
Sullivan, D. “Extra-Warp Woven-Pile”. Shuttle Spindle & Dyepot,
1985, Winter. 17(1). 19-22.
Q. Weft-faced
Flat Weaves
Barrett, C. Boundweave. St. Paul, MN: Arana, 1987. 6-12.
Barrett, C. Summer and Winter and Beyond. Boulder, CO: Colorado Fiber
Center, 1982. 15-17.
Carlisle, B.“ A Semester to Weave Rugs.” Handwoven, 1998, November.
19(5). 56-59.
DeRuiter, E. “Bag in 'Indian Saddle-Blanket' Weave.” Weaver's
#42, 1998, Winter. 8-9.
Collingwood, P. The Techniques of Rug Weaving. NY: Watson-Guptill, 1968.
317-320, 481-486..
Dillard, M. “The Weft Face Twill Rug” in L.C. Ligon's (ed). A Rug
Weaver's Source Book. Loveland, CO: Interweave, 1984. pp. 55-72.
Drooker, P.B. Samplers You Can Use. Loveland, CO: Interweave, 1984. pp.
34+.
Hoskins, N. Boundweave (video). Colfax, CA: Victorian Video, 1989.
Hoskins, N.A. Weft-Faced Pattern Weaves: Tabby to Taqueté. Seattle,
WA: Skein Publications, 1992.
Hoskins, N.A. “Boundweave: An introduction.” Shuttle Spindle &
Dyepot, 1997, Summer. #111. 44-47.
Lewis, H. “Bound-Weave Basics.” Handwoven, 1994, September.
15(4). 60-61.
Moes, D. “Boundweave on Rosepath.” Weaver's #34, 1996, Winter.
14-15.
Pinchin, B. “The Challenge of Block Weaves”, in L. Ligon's (ed.) A
Rug Weavers Source Book. Loveland, CO: Interweave, 1984. 140-143.
Sullivan, D. Summer and Winter: A Weave for all Seasons. Loveland, CO:
Interweave, 1991. 38-39.
Tidball, H. Summer and Winter and Other Two-Tie Unit Weaves. Shuttle-Craft
Monograph #19, 1966. 52-53.
Windeknecht, M.B. “Weft-Faced Color-and-Weave with Two-Tie Uunits.”
Weaver's #16, 1992. 56-57.
R. Multiple
Layers
Arn-Grischott, U. Doubleweave on Four to Eight Shafts. Loveland, CO:
Interweave, 1999.
Barrett, C. Double Weave (video). Colfax, CA: Victorian Video, 1990.
Gaynes, M. “Tips for Weaving Doublewidth.” Handwoven, 1989,
January. 10(1), 39-40.
Keasbey, D. “Designing Stitched Double Cloth.” Weaver's #1,
1988, Spring. 24-27.
Keasbey, D. “Mixed Color Effects in Double Weave.” Weaver's #32,
1996, Summer. 14-17.
Keasbey, D. “Twice as Wide.” Weaver's #2, 1988, Summer. 54-56.
O'Connor, P. “An Introduction to Four-Shaft Double Weave.” Shuttle
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